We remain, as distinguished from German American productions. A major difference is that the cameraman is not behind the camera. Sounds a bit illogical, but it is effective.
The "Director of Photography" is sitting at a reception with the director in his folding chair, facing the Monitor. Meanwhile, he has his "Camera Operators", which according to him, the cameras Kadri and swing. Therefore, the boys are also called "swivel". Almost always, two cameras simultaneously at the start, it is the A-Cam, what are the red and the B-Cam, which is marked in blue. The A-cam operator also operates the camera crane, while the B cam operator is also responsible for the Steadicam.
are particularly fond of the ever-funny-intentioned teasing between A-Cam B-Cam, who has for now hammer out the beautiful swing. Mixes also like to state the photographer in the discussion with one who gets to hear the operator things like: "Hey, I'm making a movie, you are just making af *** brochure! "As I said, all love meant.
There are so H'w'd everything twice: two Focus Puller, two camera assistants, two and three Dolly Grips password instead of two sound people, not the walk-in darkroom camera truck (!).
And after the weekend, there are paparazzi stories.
http://www.matthias-lang.st 
0 comments:
Post a Comment